![]() These moments only added weight to the impact of the game. In an exchange of emails, the nephew sent ValaNejad a hand-drawn family tree that showed how the game designer was himself related to the late Prime Minister. ![]() It even gained the attention of Mohammed Mossadegh’s nephew. “ The Cat and the Coup is representative of the creative links between the past and present that LACMA seeks to highlight through the exhibition of Islamic and contemporary art from the Middle East.”Īfter the release of the game, The Cat and the Coup gained media attention for its style and use of gameplay in nonfiction storytelling. “ValaNejad’s inclusion of the paintings is anchored in the cultural heritage of Iran and points to their continued relevance, while simultaneously showing some of the new trajectories in art made by contemporary Iranian artists,” she says. LACMA curator Komaroff likes that ValaNejad’s artwork for the game is so authentic. “We’re hoping that it sort of sparks students to maybe look deeper for their own meanings in some of these graphics,” he says. ValaNejad says he hopes students who play the game look for learning opportunities. “There is a lot of embedded stuff, and a lot of it is personal,” says ValaNejad.Īll of the images placed in the game are used as expressions of the political tensions, values and cultures of the time. The only fictional part of the game is the cat, which acts as a guide through history, and has a hand in toppling the late Prime Minister. As an Iranian-American, ValaNejad says he felt it was important to help Brinson portray the story as accurately as possible. While the game was a political exploration for Brinson, Kurosh ValaNejad’s connection to the subject matter is personal. Translated from a video in Persian, Madhi Fanaei said, "There is a question here How does a country allow its researchers to create such a game to criticize its own policy. citizens can be openly critical of their government. Brinson recalls an article by GameemaG.ir that highlights the fact the U.S. “We were always hopeful that somebody in Iran or people in Iran would find it, it’d be this strange discovery for them to look at.” The game was successful in reaching people in Iran. ![]() Throughout the game, the player, as the cat, learns about different events Mossadegh experienced.īrinson wants people to know about this moment in history, “We’d hope that The Cat and the Coup would be like a message in a bottle,” he says. In developing the video game, Brinson was interested in creating a game that would tell the story of Iran’s first democratically elected Prime Minister, Mohammed Mossadegh and the engineered coup that brought him down in 1953. It was a finalist for the Nuovo award at the Independent Games Festival and Runner Up for the Knight News Game award at Games for Change. ![]() Since its debut in 2011, The Cat and the Coup has received multiple awards including Indiecade’s documentary game award. “LACMA’s Islamic art collection contains many examples of Persian manuscript illustration of the type digitized for the game, which will give viewers a new perspective on the arts of the book in Iran that aligns with the digital age in which we live,” says Komaroff. Mitchell Business of Cinematic Arts Program John Wells Division of Writing for Screen & Television.Hench Division of Animation + Digital Arts ![]()
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